Both of these quotes are from Carl Sagan in his book, Cosmos. I find them insightful, thought provoking, almost poetically worded, and they touch on both science and religion, all of which were characteristic of Sagan:
“I am a collection of water, calcium and organic molecules called Carl Sagan. You are a collection of almost identical molecules but with a different collective label. But is that all? Is there nothing in here but molecules? Some people find this idea somehow demeaning to human dignity. For myself, I find it elevating that our universe permits the evolution of molecular machines as intricate and subtle as we.” (page 105)
“Many people were scandalized—some still are—at both ideas, evolution and natural selection. Our ancestors looked at the elegance of life on Earth, at how appropriate the structures of organisms are to their functions, and saw evidence for a Great Designer. The simplest one-celled organism is a far more complex machine than the finest pocket watch. And yet pocket watches do not spontaneously self-assemble, or evolve, in slow stages, on their own, from say, grandfather clocks. A watch implies a watchmaker. There seemed to be no way in which atoms and molecules could somehow fall together to create organisms of such awesome complexity and subtle functioning as grace every region of the Earth. That each living thing was specially designed, that one species did not become another, were notions perfectly consistent with what our ancestors with their limited historical records knew about life. The idea that every organism was meticulously constructed by a Great Designer provided a significance and order to nature and an importance to human beings that we crave still. A designer is a natural, appealing and altogether human explanation of the biological world. But, as Darwin and Wallace showed, there is another way, equally appealing, equally human, and far more compelling: natural selection, which makes the music of life more beautiful as the aeons pass.
The fossil record could be consistent with the idea of a Great Designer; perhaps some species are destroyed when the Designer becomes dissatisfied with them [as in the “flood”], and new experiments are attempted on an improved design. But this notion is a little disconcerting. Each plant and animal is exquisitely made; should not a supremely competent Designer have been able to make the intended variety from the start? The fossil record implies trial and error, an inability to anticipate the future, features inconsistent with an efficient Great Designer (although not with a Designer of a more remote and indirect temperament).” (page 29)
Carl Sagan
Cosmos
Random House